Tag: Narcissu

Analysis

Playing with Pathos; Narcissean Tragedy

Narcissu holds quite a reputation among English-speaking visual novel fans – it was the first encounter with non-branching VNs for many of us, and its particular brand of tragedy is significantly different from what we might remember from the Key anime adaptations. From the time of the translation’s release to now, it’s become an icon of heart-wrenching storytelling that every newbie stumbles into and invariably sheds tears at. I played the first game back when I was first introduced to the medium, but after reading through the second story a few years later, I found a few key points that differentiate the franchise from the other tales of terminal illness that are only superficially similar.

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Editorial

OEL Visual Novels and the Gamble of Monetization

[raemz]

I could call myself a fan of OEL visual novels. True, I have never played one that genuinely impressed me outside of the comedy/satire genre, and I’m naturally biased toward the medium considering my own endeavour in it, but it’s safe to say that there are a few pleasant creations out there. Ren’Py has been around since 2004, and a lot of amateur writers and artists have tried their hand at the tedious but ultimately rewarding task of creating a visual novel.

Considering that the community has an ever-growing archive of Ren’Py-created games, it would seem as though everything is in order. As a consumer, however, this might not be the case. As much as I hate to say this, some developers might be trying to step into the professional world a bit too soon.

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Editorial

Key and the Art of Tragedy

art-of-tragedy-4

Allusions to manly shooting games aside, I have noticed in my travels through anime and visual novels – particularly the romance-centric ones – that the device of tragedy is very common. Whether in male-targetted visual novels like AIR or more gender-neutral (or even female-targetted) stories like Saikano and Fruits Basket, tragic love stories are a common theme. However, this bleak setting has also received its fair share of criticism, particularly due to the predictable nature of the “genre”, if you will.

Consequently, it seems to me that tragedy is a sort of art. It is also personal preference, of course, but I don’t think it would be a stretch to say that some tragedies are more equal than others. So, with Toki wo Kizamu Uta still melancholically echoing in my ears, I’d like to take a closer look at these Sad Nouns in Season that I so adore and possibly figure out just why I adore them.

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