There has always been something about the shounen genre that pushed me away from it. This is partly due to some complicated gateway experiences, but for the most part it’s thanks to the tradition itself. Quite frankly, action is not something that I would normally go for, and it would take a masterfully animated fight scene from Kara no Kyoukai for me to justify watching a show solely for the action.
While my problem with the genre is an issue of personal taste rather than an objective complaint, I’ve been consistently amazed by Fullmetal Alchemist: Brotherhood over the past year. I’ve delayed shows like To Aru Kagaku no Railgun and Baka to Test to Shoukanjuu to make room for FMA – a series that, theoretically, shouldn’t appeal to me in the first place. After almost 50 episodes of pondering, it occurred to me that Brotherhood strikes the most important element of the shounen genre with perfect precision, and that there’s a good reason behind my ability to watch a shounen without any stylish swordfights.
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