Tag: Clannad ~After Story~

Community

12 Moments of Anime #3: Life Goes On in the Big Dango Family

I’ve said a lot about Clannad, to the point that I hardly feel like linking to a post. It was a spectacular show while it lasted – maybe not revolutionary, per se, but certainly a change of pace from the standard Key fare that we’ve grown accustomed to. Truth be told, my favourite moments in the series aired in 2008, while the relationship between Tomoya and Nagisa was developing until things unfolded the way that they did. The whole warm-and-fuzzy shoujo-esque bliss of the middle portion of After Story is something I’ll never forget, but it’s also a memory that falls awkwardly on the line between this year and the last.

Having said that, the show’s infamous finale is probably more worthy of discussion than anything else. Of course, the final episode was discussed to death when it first aired, but even though everyone chipped in, I don’t think any of our opinions were swayed. My own feelings of the show are that it was too perfect to be ruined by one slip, but in all honesty, it’s unfair to call the conclusion a “slip”. At the very least, it was a mistake made with confidence and not out of carelessness.

Unlike Key’s previous works, I believe Clannad‘s main draw lies in its themes, not in its characters. It feels almost like a perfected version of their original formula, combining the character-driven drama of Kanon and the overarching story of Air. All of Clannad‘s arcs and motifs, particularly the Dango Daikazoku song that matches the melody of the iconic theme “Nagisa”, point toward the message that it’s trying to put across.

The show challenges the darker side of life, complete with Key’s signature tragedies, but it cleverly contrasts them with the equally signatory blissful slife-of-life galge development, drawing an unexpectedly meaningful story out of a tired medium. Without trying to come off as revolutionary or otherwise preachy, it challenges the viewer’s perception of happiness and sadness, of the tear-jerking tragedies and the impossibly idealistic rewards. Clannad views life with selectively rose-tinted glasses, and Tomoya’s final decision to accept  pain in the name of love is symbolic of not only the show’s themes, but also of the ubiquitous visual novel dichotomy of perfect love and painful reality. In the end, it doesn’t matter if happiness wins over sadness: all that matters is the certainty that running from sadness will never earn you your Good End.

– – –

The stars accidentally aligned today to combine Clannad with something vague that I also wanted to talk about; something that can simply be summed up as life goes on.

In the same bittersweet vein as Clannad‘s story, nothing can stop the real world from turning, and that law of nature also affects the internet. Since this is my first full year in the community, I can look back and honestly say that it’s been an interesting year for us – new bloggers joined, old bloggers left, and I think we’re all one step closer to our goals, whatever they may be. I was originally going to go through the names one-by-one, but frankly, you know who you are. I feel comfortable enough to say that, knowing that you know if we’ve influenced each other in any way.

If there’s one good thing that happened this year to offset the retirement and semi-retirement of some friends and acquaintances, it’s that I managed to overcome the sphere’s “learning curve”, so to speak. It’s sad to know that Real Life is always lurking behind us, awaiting its chance to sweep us away into the world of professional work and study, but it’s relieving to know that we’re a tightly knit circle no matter what – both in the blogosphere and in anime fandom as a whole. Kudos to a year well done.

~ ETERNAL
つづく

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Analysis

The Truth Beneath The Surface: Clannad, Key, and the Romantic Fairy Tale

clannad-after-story-finaleIn the beginning, my Clannad pictures only involved Nagisa. Then, it was Nagisa and Tomoya. Now…well, you do the math.

It was a year and a half ago that the Clannad anime began airing, introducing to English speaking fans the latest of Key’s creations in a setting that struck everyone as “sad girls in spring.” No doubt expecting something along the lines of Kanon or AIR, we hopped on the bandwagon and followed Tomoya’s adventures as he encountered a certain hesitant dango-loving girl that was having a little trouble climbing up the hill.

That was a long, long time ago.

Much has been said about the story’s conclusion, and I honestly believe that the blogosphere’s thoughts (compiled skillfully by lelangir) have covered just about every topic I can think of. Yes, I’m late to the party, but I also cannot let an ending like this slide by without saying anything. Therefore, I’ll skim past the things you know already, like how the story is about family and how the reset end feels like a cheap shot against the viewers: if you want a detailed account of the development of Tomoya’s character or a justification for the plot twist, read some of the material that’s already been written (or just check out my last post on the appeal of the show).

Hence, this post is about my take on Clannad, and the reason why my own disappointment is nothing that stands against an excellent story.

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Editorial

Key and the Art of Tragedy

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Allusions to manly shooting games aside, I have noticed in my travels through anime and visual novels – particularly the romance-centric ones – that the device of tragedy is very common. Whether in male-targetted visual novels like AIR or more gender-neutral (or even female-targetted) stories like Saikano and Fruits Basket, tragic love stories are a common theme. However, this bleak setting has also received its fair share of criticism, particularly due to the predictable nature of the “genre”, if you will.

Consequently, it seems to me that tragedy is a sort of art. It is also personal preference, of course, but I don’t think it would be a stretch to say that some tragedies are more equal than others. So, with Toki wo Kizamu Uta still melancholically echoing in my ears, I’d like to take a closer look at these Sad Nouns in Season that I so adore and possibly figure out just why I adore them.

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Commentary

Clannad – Why I Love It, and why it’s probably more than you think

clannad-after-story-analysis-3

Clannad: the viusal novel about family. We’ve all at least heard of it, many of us are watching it, and a few of us had the pleasure of playing the original 50+ hours VN. By this point, it’s hard for one to call Clannad cliche, or to accuse it of being a stereotypical Key story – the community, from the forums of AnimeSuki to the blogosphere, has already proven otherwise, with countless debates and predictions about the development of the plot and the constant themes throughout the story. More importantly, however, the show has spoken for itself, declaring subtly yet proudly that it’s only a male-targeted fantasy on the outside, and that in reality it holds a much deeper story about the relationships we have with the people around us and the way those relationships make us stronger.

However, even knowing this, it took me this long to come to a conclusion that I should have come to long ago. Clannad is not truly a visual novel, nor was it written by Key; and it’s about as far from generic harem as a show can ever get. Clannad is closer to being a shoujo than anything else, presenting a heartwarming slice-of-life/romance story more than worthy of the best in the genre, and if you’ll give me a moment, I’m prepared to defend that statement.

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Episodic

Clannad ~After Story~ [ep 10]

Tomoya and Nagisa continue their blissful lives, wavering unsteadily on the line between realism and escapism. I’m not even sure what to classify this show as any more, but it looks as if my dream has come true: there really is a borderline-shoujo Clannad anime about the main couple’s relationship, and like I predicted back during the first season, I’m enjoying it. A lot.

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Episodic

Clannad ~After Story~ [ep 9]

I take back what I said, KyoAni; looks like Clannad is still awesome after all. After going through a multitude of side arcs, some of which were great (and others, not so much), it appears as if it’s finally rabu-rabu time. And knowing me, that can only mean one thing: it’s time to start eagerly anticipating the release of each week’s subs again.

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