Category: Editorial

Ideas, opinions, and hopefully coherent ramblings

Editorial

Arbitrary;Name

I don’t know much about 5pb even with their Wikipedia page open in front of me. Steins;Gate is a collaboration with Nitro+ but it was written by one of 5pb’s staff, dodging Gen Urobochi’s sadistic pen keyboard. (For better or worse, one might argue, but one Fate/Zero per year is enough for me).  Like its quirkily-named predecessor by the same writer, Steins;Gate is both a horror and a mystery, and also sort of a science adventure thingy. The second arc is pretty cool: the girls’ stories intersect in surprising ways, there are real twists, and the ending is all kinds of romantic. But the anime really shines in its first cours as superb pacing and foreshadowing create more tension than I’ve felt from Nitro+’s horror works.

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Editorial

Shoujo Through the Eyes of a Bishoujo Fan

[tsubaki ki]

There was once a time when I called myself a fan of “romance” anime. As I know now, romance is not as useful a category in anime as it is in some other mediums, since anything from Love Hina to Inuyasha could fall under its umbrella. However, even as a dedicated fan of one of Japan’s greatest inventions – the 2D girl – my taste in anime often returns to the central premise of romance. My interests often fit closely with bluemist‘s old tagline – where shoujo and bishoujo meet.

The interesting thing about viewing a very gender-targeted genre through the eyes of the opposite gender is that some tropes and clichés have a completely different effect. Here are some of my observations of the shoujo genre that have allowed me to experience the stories from a personal level as well as from a third-person level.

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Editorial

Giant Robo and the Human Robot

Giant Robo is like a time machine, except you never know which direction it’ll take you in. Alternating between unusual predictions for the future and now humorously clichéd plot devices from the past, Imagawa Yasuhiro‘s classic shows its age without detracting from its initial quality. For an old-school super robot show, Giant Robo actually packs quite a punch with its story, providing something to hold the viewer’s attention beyond the awe of Robo and its sheer power.

Among the many things that a person could say about the show, one particular element stood out in my mind: the treatment of Robo within the story. It leads to some interesting food for thought about the early days of the mecha genre; the days long before Gundam and Macross.

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Editorial

Anime and the Changing of the Seasons

[zuta]

When you saw this post in your feed reader or Anime Nano or what have you, you probably assumed it was just another meta post on the upcoming season of anime. Perhaps I would ramble on about why it’s bad to drop shows after one episode; maybe I would say that it’s important to watch a multitude of shows, including ones that normally wouldn’t appeal to you.

Actually, the “seasons” mentioned in the post title refers to something completely different. I’m talking about nature.

Wait, don’t close the tab yet – I’m not here to preach. I enjoy my skyscrapers and carefully planned city parks as much as the next person, and probably more. However, I’ve always felt a strange connection with the use of nature in anime as a visual, stylistic tool. Nature can grant the most sublime motifs and emotionally evocative art if it’s used appropriately, and yet it’s something that can so easily go unnoticed.

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Editorial

5 tips to help you stop being a secondary Touhou fan and start dodging bullets

It’s hard to pinpoint what it is about Touhou that draws people to it. Somewhere within the unique character designs, quirky personalities, stylish music and skillful game design lies the secret that made ZUN the otaku culture star that he is. However, the incredible popularity of his franchise has resulted in an interesting phenomenon among his fans: primary and secondary fandom.

I’m not sure how official this terminology is, but in general, Touhou fans can be divided into two categories: the people who enjoy it for the fan works and the memes, and the people who enjoy it for the source material. It’s essential to delve into both categories if you want to experience everything the franchise has to offer, but considering how mainstream it’s become, it’s safe to say that many of today’s Touhou fans shy away from the original games out of fear. I can’t blame them, either: bullet dodging is scary stuff. It’s tough for gamers, and it’s even tougher for non-gamers.

Regardless, you’ll be the one missing out if you don’t bite the bullet and try to grasp the intricacies of ZUN’s game design. After all, little girls shooting fairies can only take you so far – the beautiful chaos of the game’s extreme side are as important as any amount of techno remixes and yuri doujins. If you think you’re up for the task, read on for a few tips on how to experience Touhou fandom through its intimidating yet exhilarating source.

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Editorial

Captivatied by K-ON, again

It’s been almost a year since K-ON first aired, but I feel as if I never got to say what I wanted. Sure, I have an opinion on the show, but it’s lost in cyberspace, drifting around in comments here and tweets there. I want to put things down on paper, figuratively speaking. I want to put things down in a place that I’ll remember.

The funny thing about K-ON is that I can’t rationally explain my enjoyment of it. Objectively, I think it’s a spectacular moe show, and I realize that I probably just like it because of Mio; but at the same time, that isn’t enough to make it stand out from the crowd. I don’t think it’s a particularly good anime, but it has some sort of mysterious hold over me, something that forces out a smile every time. As a matter of fact, it’s one of the only shows that I’m genuinely looking forward to.

I think I’ve had this post drifting around in my head for a while, but I never had the will to push it out. The OVA certainly helped: it’s not worth writing about, but it’s filled with the same kind of lighthearted, moe-filled character interaction that defines the show. That said, I don’t think the point really hit home until I saw the chart for the upcoming season. The news started to feel real. Just like last year, I’ll be spending my spring grinning like an idiot in front of my TV. Just like last year, I’ll be putting off classic anime and intriguing novels in the name of Akiyama Mio’s finger calluses. The magic is back. The magic that earned 5000 danbooru images in a year is back.

Let’s cut to the chase: K-ON is a moe show. It always was and always will be. Sure, you can watch it for the comedy or the music, but that’s like watching Evangelion for the cool robots – it’s acceptable, but it’s not the main point. I don’t think that it’s particularly significant or symbolic in the genre, but something about its treatment of moe strikes a chord with me. In a sense, it’s the antithesis of the harem/galge genre: instead of making a guy date cute girls, why not just focus on the cute girls? The show severs the relationship between emotional escapism and moe. It puts the gal in galge, and it takes out the ge. The moe of K-ON is artificial, refined, purified. It’s calculated to the point that it creates a pleasantly convincing illusion, and it soothes the soul without relying on awkward self-inserts.

Or at least that’s my rational explanation of it. It’s probably above average as a moe show, but who am I to talk when react like a shy, blushy shoujo protagonist whenever Mio gets embarrassed? All I know is that there’s enough anime that I haven’t seen to keep me from looking forward to something that isn’t here yet, but sometimes I can’t help myself.

And on that note, let me kick reason to the curb and say this: here’s to another season of after school tea time, of Mugi’s lesbian daydreams and Yui’s airheaded mistakes. Here’s to thirteen more episodes of girly rock and meta fanservice.

Here’s to the greatest moe anime I’ve ever seen.

~ ETERNAL
つづく

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