K-ON: it’s the show everyone is talking about. While not directed by Tatsuya Ishihara of KeyAni fame, the fact that it’s being produced by Kyoto Animation is enough reason for the fans to go figuratively wild, and when you add the distinct moe character designs and the simple yet appealing slice-of-life premise and setting, it should come as no surprise that K-ON is one of the most fervently discussed – if not praised – shows of the current season.
However, while naysayers do exist (and the minority always has its way of making its voice heard), I’ve fallen for this show after a mere two episodes. Certainly, the series isn’t technically good by any means, and I can’t think of anything truly original that it’s accomplishing – but therein lies the answer. Why do I like K-ON? Because it’s simple, and without doing much of anything, these first two episodes have already provided me with far more entertainment than I dared ask for.
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