Month: June 2010

Review

An Imouto a Day

Obligatory myface.jpg

Oniichan no Koto Nanka Zenzen Suki ja Nai n da kara ne!! is… well, first of all, it’s a mouthful to say. I’m not even sure if there’s a convenient nickname or acronym for it so I guess I’ll just have to refer to it as Oniichan.

More importantly, the series is – for lack of a better word – good. I can almost guarantee that it’s better than the image you have in mind of a stereotypical siscon ecchi series with pandering characters, lighthearted dialogue, and a touch of fanservice where it counts. Of course it has all of the above, but the mangaka does a few things to keep it fresh. It’s been a while since I’ve read something so thoroughly enjoyable, even though enjoying something like this feels as awkward as enjoying a low-budget harem anime. In fact, this may well be the only comedy/ecchi manga I’ve read that’s actually funny!

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Review

The Desires of Haruhi Suzumiya

[Noizi Ito]

I have a strange history with The Melancholy of Haruhi Suzumiya. I first watched the anime series shortly after it aired, but since I had only just started venturing beyond shounen and modern sci-fi/mecha at the time, I never really understood why I liked it. I memorized the Hare Hare Yukai lyrics and proudly gave the show a 10/10, but I couldn’t really point to one specific aspect of it and say “this is why this story is a masterpiece”.

Thankfully, that problem is now solved. I recently decided to go through the first of the nine published novels, and just as I expected, the memories from four years ago came back in a flash – except this time I’m not hindered by blind fandom.

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Analysis

Megatokyo’s Meta: An Examination of Wish Fulfillment

You’ve probably heard of Megatokyo – the American 4-panel webcomic that evolved into a published manga series both in the English-speaking world and in Japan. I wasn’t around for its birth and rise to fame so I can’t comment specifically on the history, but Fred Gallagher already said that the story was never expected or intended to turn into what it is today (not unlike the history of 4chan). Despite the fact that Megatokyo‘s decade-long history comes with its fair share of awkward pacing and different visual styles, it’s more or less a mandatory read for OEL manga fans and people who enjoy meta anime like Genshiken.

The interesting thing about Megatokyo is that its plot can hardly stand on its own: without any cultural awareness on the reader’s part, the story is flat-out illogical. Luckily, this also means that it provides a surprisingly engrossing experience for readers who can relate to the protagonists and their bizarre journey through the zombie hordes and love triangles of Tokyo. There’s a reason why I like Megatokyo as much as I do, a reason why it trumps all of Japan’s anime-about-anime-fans in my eyes – its secret lies in the fact that the meta concepts are woven into nearly every aspect of the plot.

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Fandom

Certainly Not A Con Report Of Anime North 2010

I think I used this picture before. I’ll probably use it again. [vania600]

Late con posts aren’t all that bad, are they?

Anime North 2010 took place over the last weekend of May, and it happened to coincide with a few important real life events for me, like the end of my last year of high school. Suffice it to say that I had a great time and that it’s still one of my highlights of the year. Since the idea of writing a “real” con report puts me to sleep, this will pretty much just be a collection of my impressions of the various events I attended and on the con as a whole. The post is far longer than anyone should want to read, so the important names and events are bolded to make for easy skimming. There’s also a bit of meta at the end if you’re in the mood for it.

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