Month: December 2009

Community

12 Moments of Anime #12: The Vocaloid Revolution and the Summer of AIR

Air in Summer

[moonknives]

Despite how convenient it might sound, I did not watch AIR this summer. I watched it during the summer of 2006, when I was inexperienced enough to not know the definition of the word eroge.

I did, however, partake in a certain OVA that seems to have all but disappeared over the years: Air in Summer. It’s not a particularly memorable story; in fact, it’s really just a more personal look at Kanna’s arc from the anime. It lasts for a total of two episodes – the same length as some battles in long-running shounen – and it doesn’t say much about anything.

However, that doesn’t make it any less enjoyable.

What really got me about Air in Summer, and what made it good enough to make the 2009 Christmas countdown, was the fact that it’s downright pleasant. It feels like it’s been a lifetime since K-ON aired, and it’s been even longer since the KyoAni + Key combo graced my TV screen. Ryuuya’s sharp wit, Kanna’s endearing clumsiness, and Uraha’s carefree ara ara~ personality are all staples of the anime adaptations of Key games, and they’re traits that I love more than a lot of things. Witnessing all of my favourite aspects of some of my favourite anime, written on top of a surreal setting with a vaguely bittersweet atmosphere, was undoubtedly one of my most pleasant memories of anime this year, with or without a plot.

– – –

As for the Vocaloid Revolution I mentioned in the title, I wonder if revolution is truly the right word to use. Our lovely idol Miku is already two and a half years old – plenty old enough for her popularity to catch on. Maybe it’s only because the latter half of this year was my first experience with Vocaloid-literacy, but I can’t help but feel that the Vocaloid subculture is becoming ever more mainstream. While Miku and her fellow electronic pop stars will always be more known in Western fandom for their endless pages of fanart, the release of Project Diva combined with the birth and growth of blogs like Vocaloidism, Polymetrica, and even a fairly comprehensive wiki, the word “revolution” might be fitting after all.

~ ETERNAL
つづく

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Editorial

The Surrealism of Yasuhiro Yoshiura

Pale CocoonI’m not sure if surrealism is the technical term to describe this unusual director’s vague yet distinctive style, but Yasuhiro Yoshiura of Eve no Jikan fame is undoubtedly an oddball in the industry.

And I say “oddball” with the most respect that the word can connote. Though I’ve spent less than an hour viewing his works, I’m already unquestionably entranced with his well-thought-out direction, delicious eye-candy, and ambiguous yet unpretentious storytelling.

However, the best part of it is that you don’t have to be an academic to figure out what he’s trying to say.

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Editorial

Premature Ramblings on the When They Cry Tradition

When They Cry

Ryukishi07 is somewhat of a god in today’s anime fandom. Though he’s been writing professionally for less than a decade, his When They Cry series has become one of the most recognized franchises across the subculture, appearing everywhere from spoilerific 4chan threads to bad YouTube AMVs. Though it feels like it’s been a lifetime since then, it was only a few years ago that I first felt the horror and masochistic adoration for the anime adaptation of Higurashi; and since then, the name “Ryukishi07” has been synonymous in my mind with “crazy but awesome.”

Anyway, after finally giving in to the pressure from the internet, I found time to start playing Umineko no Naku Koro ni (which, interestingly, makes seagulls seem almost as dramatic a background motif as cicadas). So far I’ve only finished the first episode, so what follows will be a bit of rambling on my part (and it spoils the two Higurashi seasons as well as the first episode of Umineko, so beware). Since most of you know more about the story than I do at this point, I won’t bother speculating – instead, I’ll try to explore the beginnings of an idea on Ryukishi07’s original structure and recurring themes that make all the difference in an otherwise unoriginal genre.

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